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Bar Bespoke Shark in A Glass

£149.995£299.99Clearance
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a b Smith, Roberta (16 October 2007). "Just When You Thought It Was Safe". The New York Times . Retrieved 16 October 2007.

a b c d e f g h i j Vogel, Carol "Swimming with famous dead sharks,2 The New York Times, 1 October 2006. Retrieved 23 February 2007 Since the shark was initially preserved poorly, it began to deteriorate and the surrounding liquid grew murky. Hirst attributes some of the decay to the fact that the Saatchi Gallery added bleach to it. In 1993 the gallery gutted the shark and stretched its skin over a fiberglass mold, and Hirst commented: There is also the tantalising prospect that great white sharks may haunt our waters. Great whites – demonised by Jaws!The researchers say the tag showed that after being released, the shark swam more than 100 miles offshore and to depths of greater than 800 feet. “It’s clear she survived and thrived,” says Kochevar, adding that the shark first swam several hundred miles south along the California coast, “then took a hard right and headed offshore for a while, then returned to the coast. … There’s no question that she was hunting and feeding on her own.” As NATURE’s Oceans in Glass shows, displaying a great white — one of the sea’s most impressive predators — has long been a dream of aquariums around the world. But previous efforts to care for the sharks — which can grow to weigh two tons and measure 21 feet long — have largely ended in failure. The great whites proved too big, too aggressive, or too sensitive to live penned up. Some wouldn’t eat, says biologist Dr. Randy Kochevar of the aquarium, “and sharks can’t survive long if they aren’t feeding.”

Another shark was caught off Queensland and shipped to Hirst in a 2-month-long journey. Oliver Crimmen, a scientist and fish curator at London’s Natural History Museum, assisted with the preservation of the new specimen in 2006. This involved injecting formaldehyde into the body, as well as soaking it for two weeks in a bath of 7% formalin solution. The original 1991 vitrine was then used to house it.Its technical specifications are: "Tiger shark, glass, steel, 5% formaldehyde solution, 213 × 518 × 213cm." [9] a b Davies, Kerrie (14 April 2010). "The great white art hunter". The Australian . Retrieved 14 April 2012. In Monterey, however, biologists working on the aquarium’s shark conservation and ecology project believed it was possible for a great white to survive — and thrive — in one of the facility’s giant display tanks. They also believed that letting the public see these magnificent hunters up close could pay big dividends for their efforts to protect sharks, which are under increasing threat. It is completely isolated from its natural setting. Instead of being in motion, in the water, we see it completely frozen and preserved. For most, it may be the first time we have come so close to a shark, with many of us only seeing them on television or perhaps at an aquarium. Here we have a direct experience of the shark, not filtered through any media. Thus we are forced to consider the shark in a new and different context and re-evaluate how we perceive the animal. In Hirst’s piece, we come face to face with the reality and physicality of this familiar image and are forced to consider it in a new setting.

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