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Harry Gruyaert: Between Worlds

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It is impossible, looking at this picture, to confidently place where everything in the image is in relationship to each other. That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries.

All visitors, whether to the Greek or Turkish side of the island, discover the immensely rich history, which has resulted in so many civilizations making their mark upon its soil. By continuing your navigation on this site, you accept the use of cookies, which we use to better understand your expectations and offer you services adapted to your interests. Although Cyprus is a relatively small island, its position in the East Mediterranean has always given it strategic importance beyond its size.We pay very close attention to new, visually striking, thought-provoking imagery, while respecting the long-lasting tradition of photography in its purest incarnation. A Traveller’s History of Cyprus” offers a complete and authoritative history of the island’s past and also touches on the sensitive present-day issues for both sides of the island.

Over the past century, Cuban music has produced a seemingly endless variety of styles―rumba, mambo, son, salsa―at a dizzyingly fast rate.A bit later, Campany continues, “For Gruyaert, making threshold images means bringing together different light levels and different color temperatures.

A good photo is a photo that says a lot of things about the place and the moment it was taken,” says Gruyaert. The first ever book about Cuban record sleeve design, compiled by Gilles Peterson and Stuart Baker, Cuba: Music and Revolution , when Cuba’s Special Period, brought about by the dissolution of the Soviet Union and the withdrawal of Russia’s financial support for the Cuban government, led to the demise of vinyl-record manufacturing in Cuba. A familiar theme, but one that, across the generations, can occasionally unearth something rather powerful.A text by David Campany examines the photographer's singular approach and positioning, which is "in the space of the threshold (where) we are balanced, neither in nor out, present but in neither place. And after the initial joy of growing comfortable with many layers of content, the question becomes: What is the relationship of all these layers to each other and then to us?

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